From Hell - The Whitechapel Testament

From Hell is Lebanon Circle's most popular product, selling thousands of copies globally over the last 20 years.  Either as an entry-level effect for bizarre dabblers or a trusted favourite for professionals, From Hell continues to disturb and entertain.  Virtually every bizarre magician can claim to own a copy, making it one of the most popular bizarre effects ever released. It remains highly collectable to this day, and every previous version of this classic effect was an individually cut, aged, and laminated reproduction of a Victorian portrait card, making the product expensive and beyond the financial reach of the hobby magician.

• From Hell
  The original blood-soaked reimagining of Paul Curry’s Out of This World, in which the audience unknowingly separates the victims from the survivors. The routine also follows the Ripper’s exploits across the Atlantic to another spate of murders in New York.
• Ripper Force
  Five volunteers take to the streets of Whitechapel, each clutching a Victorian penny for a night’s lodging. They believe they have a choice. They don’t, and their fate has already been decided.
• Prime Suspect
  The audience becomes the Metropolitan Police during the mass raids of November 1888. Suspects are rounded up and homes searched… yet one man always slips through the net. And that man is Jack.
• Double Event
  Inspired by the infamous “Double Event,” where on September 30, 1888, Elizabeth Stride and Catherine Eddowes were killed by Jack the Ripper, this routine proves a chilling point—no matter where you hide, Jack will find you.
• The Black Museum
  Step inside Scotland Yard’s most disturbing collection and take a tour of the exhibits in The Black Museum. Using a dark twist on John Scarne’s Card Clock, only one exhibit on display points to the true identity of the Ripper.
• Abberline’s Conclusion
  The investigation closes in. Drawing on everything revealed so far, the identity of the Ripper aligns perfectly with a sealed statement from Inspector Abberline himself.
• The Glass Prison (requires a switch box)
  The killer is finally captured and placed in a specially built cell with no means of escape, or so it seems. Was Jack the Ripper ever truly human? This final piece leaves your audience with a choice—and neither answer ends well.